Skip to main content

Skype Call with Dennis Kelly

Dennis Kelly is a British scriptwriter, playwright and producer who is perhaps best known for writing the TV series Utopia (2013) and Black Sea (2014).

Last Friday, a group of Year 2 Film Production students were given the opportunity to talk with Dennis Kelly over Skype, specifically focusing on script-writing. Dennis shared his writing experiences with the group, and gave tips and advice on how to better their writing skills.

Here are some of the notes I jotted down from the conversation:

  • I'm not interested in what other people want me to do.
  • Part of the (scriptwriting) process is not doing anything and messing around.
  • If you sit in front of a piece of paper for two hours, eventually something will appear on it... I think.
  • I tend to hear character's voices. I don't know a character until they start speaking. Sometimes the situation determines who the people are. Each character needs to be bespoke, not stereotypical. You write accordingly to what the characters say.
  • The trick is not to panic.
  • Fear is a big thing in writing - you're putting your thoughts onto a page only for people to tear it into pieces. But within that comes useful information.
  • Before doing a second draft talk to other people, and get feedback.
  • If you write by hand start with a new page. If you start with a brand new document all the things that need to be on it will appear.
  • I don't like to know too much, but just enough to know where the story's going. As you're writing, ideas come up that might be useful in the future.
  • Forget your future, what are you writing now?
  • I like to do research, but only after I've written something.
  • My perfect writing environment is where people can see me, but don't know what I'm doing.
  • You can't wait for inspiration; you make inspiration happen.
  • Find out what you want to write most in the world, and write about the things that matter most to you.
  • You have to be brave and not be too worried about what people are going to say. We make decisions to be scared, but we shouldn't. It's better to fail at something because you tried, rather than fail because you were to scared to try.

Comments

Popular posts from this blog

TRAILER REVIEW: STAR WARS THE LAST JEDI

Finally, after what feels like decades of waiting, it is finally here... After the epicness of The Force Awakens , and then the Episode 4 prequel Rogue One, who knew that it was possible to get even more excited about Star Wars? Following on from Episode 7, The Last Jedi promises more adventure, more action, and could possibly (just like The Empire Strikes Back ) be overshadowed by the dark side of the force - hence the red typeface perhaps? There were so many unanswered questions left after the last film: Who are Rey's parents? Who is Snoke? Has Luke already turned to the dark side? Will Finn survive? What is Snoke planning next? Will Kylo Ren eventually turn to the light, and be reunited with his mother? Will Leia be reunited with Luke? Who knows? But the teaser trailer does offer enough sneak peeks to let the entire Star Wars fandom start speculating and anticipating the movie's plot.  Besides, we've all watched it a million times now, right? WARNING: TEAS

STORYBOARDING: The Chess Player

A few months ago I was presented with the opportunity to create the storyboards for a student project at the University I had graduated from. Having always storyboarded my own projects, and used to drawing what I could see inside my own mind, I jumped at the chance to help visualise someone else's film. Everybody sees things differently. We imagine, we visualise in different ways. Maybe because our brains are wired differently, maybe because we all rely on different experiences or the things we've read. A wide shot to one person might be a close to another; or someone might prefer a high-angled birds eye view, whilst another a fish-eye lens effect. There are endless ways to visualise a story and we are all unique when it comes to this. So being tasked with aiding in the visualisation of someone else's film is by no means an easy feat. One must be able to see inside the director's mind, understand their vision and translate that into something that will reach and

Influences

All filmmakers are influenced by other people's ideas and creations. If one was to watch what everyone else was watching, then, in theory, one can only think what everyone else is thinking. This is why individual ideas and viewpoints are so important. A world where everyone has the same opinion would be a boring world indeed. My current influences are as follows: Film Directors: Peter Jackson J. J. Abrams Ridley Scott Georges Melies Tim Burton Photographers: Henri Cartier-Bresson Dorothea Lange Joel Robinson Ansel Adams Artists: Oliver Jeffers Alan Lee Beatrix Potter E. H. Shepard Judith Kerr Authors: Jane Austen J. R. R. Tolkien Michael Morpurgo Noel Streatfield Suzanne Collins Agatha Christie Classical Music: The Lord of the Rings/The Hobbit Soundtrack (Howard Shore) The Kings Speech Soundtrack (Alexander Desplat) Raindrop Prelude (Frederik Chopin) Dance of the Cygnets (Tchaikovsky) Mars/Jupiter (Holst) Liebesträum