Skip to main content

Kid's & UFO's: Title Sequence

Testing and creating the title sequence:


To achieve a childlike style many different drawing styles were looked at to see which would appeal most to children and young adults. The detailed ones were fascinating to look at, however placing too much detail into a stop motion animation would clutter the screen. Simpler drawings with black outlines - similar to the style of Rachel Ryle - were more suited.

Sketches were made and the colouring was tested. Felt-tip pens created too harsh a tone, whilst colouring crayons provided a softer layout that was pleasing to the eye.


The title sequence for 'Kids and UFO's was made up of 147 different photographs. The basic idea was this:

A girl in a rocket is launched into space from her back garden, flying past stars, planets, aliens and ufo's. The rocket then flies away to reveal the title of the film: 'Kids and UFOs'.


Drawings were created on paper, coloured in using crayons and cut out. These were then placed on a coloured background (light/dark blue and black towels) and moved frame by frame. This took about 9 hours in total.

After this, the photos were colour graded and then placed into Premiere Pro. Each photo was 00.04 seconds long. A free 'match strike' sound was then downloaded and music (Pacific Sun by Nicolai Heidlas) placed over the top as the rocket sets off.


Please see here to view the title sequence: https://vimeo.com/163138180
And here for the Behind the Scenes: https://vimeo.com/163684881

Comments

Popular posts from this blog

The Hobbit - Defining the Look

A look into the use of lighting and colour to create emotion. Originally published in 1937, The Hobbit was written by J. R. R. Tolkien. It has since been made into a Trilogy by the film director Peter Jackson consisting of: The Unexpected Journey The Desolation of Smaug The Battle of the Five Armies What is most notable about these films is that they are very different to the Lord of the Rings Trilogy. Although set in the same universe of Middle Earth, there is a tangible contrast between them.  The Hobbit, some might say, is lighter, funnier and more suitable for children when compared with The Lord of the Rings. This being said, J. R. R. Tolkien did write the book for children and it was aimed at young readers around the ages of 9 and 10. One difference, for example, is the use of lighting and colour - which is used as a n extension of a particular character -  to provoke an emotional response from the audience. In general, the film is brightly lit,...

Gasman - the Importance of Trust between Characters

Gasman is a short film made in 1998 by Lynne Ramsay about a man who lives two lives. The film is shown mainly through the eyes of his daughter, in an innocent but hard-hitting way. It's the Christmas season. With her mom's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's affectionate with them. They walk down a railroad track where an unkempt woman waits with two children, about the same age as Lynne and Steven. The children go with them. They're all headed to a holiday party at a pub. Lynne notices that the girl acts all too familiar with her dad. What's going on?   Plot Summary - IMDB The film has an observant feel to it, like the camera itself is a 'third person' watching the plot unfold - sometimes from a distance and other times up close. The camera is mostly hand-held, free in a documentary style. It seems that the camera was left rollin...

What are UFO's - working with children

How to interview children and young adults Introduction: There is much taboo about working with children in film. As W.C. Fields once said: “Never work with children or animals.” Sometimes they are too lively or energetic for a director to cope with; they may have short attention spans; they are unpredictable. "The audience always looks for the adorable young child or animal - they steal every scene. "many stars will never appear with animals or children in the belief that no adult can compete" has been cited in print since 1931, in a newspaer article indicating that this film tradition carried over from the stage."        - Barry Popik (2012), "Never work with children or animals" (Show Business Adage) But something special happens when you place a child in front of the camera, when you let them take centre stage and unleash their imagination. In taking away the pressure and the script, a filmmaker can use that unpredictability to cre...