Skip to main content

What are UFO's: Title Animation Influences

The title sequence for the film 'What Kid's Think about UFO's' will consist of paper stop-motion animation, in which objects will be drawn onto paper, cut out and photographed frame by frame.

Here are a few of the influences that inspired this:

1. Paper cut-outs - The drawings in this video are childlike and drawn with pencil. This is the effect the film title sequence should achieve but by adding a little extra colour and vibrancy, it should appeal more to children as well as make it more fun and engaging to watch.

https://www.youtube.com/watch?v=IbSbZDnsA-8

2. This film uses coloured paper cut-outs in the form of animated origami. The paper unfolds and refolds to create different shapes and sequences. Added fast paced music also helps to engage the audience and moves with the piece.



3. This animation uses tiny objects to create a short narrative such as pennys, pins and different fabrics. The use of small things adds a theme of innocence to the film as well as emphasising the 'childlike' theme.



4. This animation is far more complex. The filmmakers worked to create three-dimensional sets and props made completely out of paper and then animated them frame by frame. The use of human hands in the animation again adds to the 'small objects' theme.



5.  This film also uses human hands as the main source of moving the paper. Each time the hands touch the paper it spurs on an action - whether it be that the paper changes shape or colour. The film is also extremely colourful and vibrant, which draws in the audience further.

Comments

Popular posts from this blog

The Hobbit - Defining the Look

A look into the use of lighting and colour to create emotion. Originally published in 1937, The Hobbit was written by J. R. R. Tolkien. It has since been made into a Trilogy by the film director Peter Jackson consisting of: The Unexpected Journey The Desolation of Smaug The Battle of the Five Armies What is most notable about these films is that they are very different to the Lord of the Rings Trilogy. Although set in the same universe of Middle Earth, there is a tangible contrast between them.  The Hobbit, some might say, is lighter, funnier and more suitable for children when compared with The Lord of the Rings. This being said, J. R. R. Tolkien did write the book for children and it was aimed at young readers around the ages of 9 and 10. One difference, for example, is the use of lighting and colour - which is used as a n extension of a particular character -  to provoke an emotional response from the audience. In general, the film is brightly lit,...

Gasman - the Importance of Trust between Characters

Gasman is a short film made in 1998 by Lynne Ramsay about a man who lives two lives. The film is shown mainly through the eyes of his daughter, in an innocent but hard-hitting way. It's the Christmas season. With her mom's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's affectionate with them. They walk down a railroad track where an unkempt woman waits with two children, about the same age as Lynne and Steven. The children go with them. They're all headed to a holiday party at a pub. Lynne notices that the girl acts all too familiar with her dad. What's going on?   Plot Summary - IMDB The film has an observant feel to it, like the camera itself is a 'third person' watching the plot unfold - sometimes from a distance and other times up close. The camera is mostly hand-held, free in a documentary style. It seems that the camera was left rollin...

What are UFO's - working with children

How to interview children and young adults Introduction: There is much taboo about working with children in film. As W.C. Fields once said: “Never work with children or animals.” Sometimes they are too lively or energetic for a director to cope with; they may have short attention spans; they are unpredictable. "The audience always looks for the adorable young child or animal - they steal every scene. "many stars will never appear with animals or children in the belief that no adult can compete" has been cited in print since 1931, in a newspaer article indicating that this film tradition carried over from the stage."        - Barry Popik (2012), "Never work with children or animals" (Show Business Adage) But something special happens when you place a child in front of the camera, when you let them take centre stage and unleash their imagination. In taking away the pressure and the script, a filmmaker can use that unpredictability to cre...