Skip to main content

Writer's Block - Part 2

Production

The reality sequences were filmed over two days in West Bromwich Central Public Library and The Pavilion Café in Stoke-on-Trent. These scenes made up the beginning and end of the film.

THE LIBRARY

In the library the character (Kim) introduces the audience to her world. Scenes of books and pages are shown, and a ghost-like time-lapse was created.  Extra sounds were recorded for the library scene in which Kim hears whispers coming from the books like the moment in Inkheart.

We had to create a sign for the cafe as there isn't yet one at the library, which then cut to the location in Stoke.

The library was really helpful when it came to filming, and the whole scene was shot in about 2 hours.


THE CAFE

The cafe scene was filmed on a different day to the library.

In the cafe Kim meets the Barista, or Atsirab, and orders a cup of tea and a muffin.

The timing for the shoot was limited and as we worked on the lighting outside lessened. In the end we had to use artificial lights.

The cafe was closed when we got there and we couldn't gain access to the actual cafe area, so we had to create a cafe counter using the props we had bought and using whatever we could find in the area such as fliers and a trolley. Thankfully we had brought plenty of tea and cake!





DREAMSCAPE


The dreamscape was filmed entirely in a green-screen room in one day. Using the storyboards and a shot list, we figured out what scenes needed to be done first.

When it came to sound the room was very echoey and we could hear noises coming from outside. It was due to this that we decided the sound could be re-recorded, and perhaps dubbed over the final sequence.

The flying sequence was particularly hard to achieve. A variety of camera angles were used to suggest floating, and points of references were made to make the transitions between shots flow easily.

Please click here to see the final film: https://vimeo.com/124669359

Comments

Popular posts from this blog

The Hobbit - Defining the Look

A look into the use of lighting and colour to create emotion. Originally published in 1937, The Hobbit was written by J. R. R. Tolkien. It has since been made into a Trilogy by the film director Peter Jackson consisting of: The Unexpected Journey The Desolation of Smaug The Battle of the Five Armies What is most notable about these films is that they are very different to the Lord of the Rings Trilogy. Although set in the same universe of Middle Earth, there is a tangible contrast between them.  The Hobbit, some might say, is lighter, funnier and more suitable for children when compared with The Lord of the Rings. This being said, J. R. R. Tolkien did write the book for children and it was aimed at young readers around the ages of 9 and 10. One difference, for example, is the use of lighting and colour - which is used as a n extension of a particular character -  to provoke an emotional response from the audience. In general, the film is brightly lit,...

Gasman - the Importance of Trust between Characters

Gasman is a short film made in 1998 by Lynne Ramsay about a man who lives two lives. The film is shown mainly through the eyes of his daughter, in an innocent but hard-hitting way. It's the Christmas season. With her mom's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's affectionate with them. They walk down a railroad track where an unkempt woman waits with two children, about the same age as Lynne and Steven. The children go with them. They're all headed to a holiday party at a pub. Lynne notices that the girl acts all too familiar with her dad. What's going on?   Plot Summary - IMDB The film has an observant feel to it, like the camera itself is a 'third person' watching the plot unfold - sometimes from a distance and other times up close. The camera is mostly hand-held, free in a documentary style. It seems that the camera was left rollin...

REVIEW: Far Beyond the Waves

"Our life is like a single drop in the ocean." Sometimes the combination of beautiful cinematography and the raw flow of an honest narrative is enough to make the most effective, memorable and impactful film. ‘ Far Beyond the Waves’ is one such film. It tells the beautifully moving story of a couple who meet with perhaps the most unexpected fear any parent can face. “We sometimes never fully understand what we've lived through, or feel we've had enough time. Life doesn't always work out the way we thought it would, does it?” This story, lovingly and sensitively told, is written through metaphors: the waves that are sometimes calm, sometimes unpredictable, as life is. Charlotte Nall reveals her personal trauma in going through a stillbirth with her husband, and in doing so paints the bittersweet portrait of a precious, fleeting life. The charity they set up, Little Fingers, seeks to bring comfort and support to families who go through the same experience, ...