Skip to main content

Christmas 2013

Christmas is a time for family and friends; a time for peace and love, to relax and spend time together. It’s a time to remember those we’ve lost and those we have the privilege of living with, those far away and those less fortunate than ourselves. It is not so much about receiving than giving; an opportunity to make someone else smile and feel loved. For some it’s about remembering the God who loves us, and what he did for us and still does today.
(For the finished film see here: https://vimeo.com/86304357)

The purpose of this film was to capture one family’s experience of Christmas, from morning till night, and to convey a positive and uplifting atmosphere in which the audience can participate.
"Christmas is, of course, the time to be home - in heart as well as body" - Garry Moore.
The opening sequence of the film is compiled of pull focus shots that fade from one to the other. This was intended to create a ‘sleepy feeling’; the moment in which the mind is waking up, the eyes are trying to focus and all is still and quiet before the excitement of Christmas morning truly begins. 
The film was intended to have a documentary feel to it in that the closeness of the camera would create a space within the video for the audience to exist. This therefore enables the viewer to personally observe and to some extent take part in the proceedings of Christmas. There were no tripods or grips used because to create this feeling the camera needed to be completely handheld.

The pacing of the film follows the music (It’s Beginning to Look a Lot Like Christmas by Michael Buble. No copyright infringement intended), and is cut to the beat. The pacing does become faster when the singing begins and a consistent beat can be clearly heard and followed.

Several other techniques were used such as jump cuts (sequences like the Christmas cake and breakfast tray), and match cuts (the present opening sequence).
The main influence for this film was the Sainsbury’s Christmas advert of 2013.


The advert has a deliberate non-commercial feel due to the fact that it is made up of family home videos, and is perhaps rather humble and subdued compared with the other commercials shown at the time. Whereas the advert (which was in fact a trailer for a documentary: ‘Christmas in a Day’ directed by Kevin MacDonald) conveys every emotion from birth to death, from comical to melancholy, this film focuses on only the positive aspects rather than combining them with the negative. 
A widescreen overlay was added to the film, and the footage was captured on a Canon EOS 7D, then edited on Adobe Premier Elements 11.

Here is the finished film: https://vimeo.com/86304357

In conclusion, perhaps the message that this film conveys most is this: that although some people find no purpose in Christmas at all, it is much better to spend it with others than alone.

Comments

Popular posts from this blog

TRAILER REVIEW: STAR WARS THE LAST JEDI

Finally, after what feels like decades of waiting, it is finally here... After the epicness of The Force Awakens , and then the Episode 4 prequel Rogue One, who knew that it was possible to get even more excited about Star Wars? Following on from Episode 7, The Last Jedi promises more adventure, more action, and could possibly (just like The Empire Strikes Back ) be overshadowed by the dark side of the force - hence the red typeface perhaps? There were so many unanswered questions left after the last film: Who are Rey's parents? Who is Snoke? Has Luke already turned to the dark side? Will Finn survive? What is Snoke planning next? Will Kylo Ren eventually turn to the light, and be reunited with his mother? Will Leia be reunited with Luke? Who knows? But the teaser trailer does offer enough sneak peeks to let the entire Star Wars fandom start speculating and anticipating the movie's plot.  Besides, we've all watched it a million times now, right? WARNING: TEAS

STORYBOARDING: The Chess Player

A few months ago I was presented with the opportunity to create the storyboards for a student project at the University I had graduated from. Having always storyboarded my own projects, and used to drawing what I could see inside my own mind, I jumped at the chance to help visualise someone else's film. Everybody sees things differently. We imagine, we visualise in different ways. Maybe because our brains are wired differently, maybe because we all rely on different experiences or the things we've read. A wide shot to one person might be a close to another; or someone might prefer a high-angled birds eye view, whilst another a fish-eye lens effect. There are endless ways to visualise a story and we are all unique when it comes to this. So being tasked with aiding in the visualisation of someone else's film is by no means an easy feat. One must be able to see inside the director's mind, understand their vision and translate that into something that will reach and

Influences

All filmmakers are influenced by other people's ideas and creations. If one was to watch what everyone else was watching, then, in theory, one can only think what everyone else is thinking. This is why individual ideas and viewpoints are so important. A world where everyone has the same opinion would be a boring world indeed. My current influences are as follows: Film Directors: Peter Jackson J. J. Abrams Ridley Scott Georges Melies Tim Burton Photographers: Henri Cartier-Bresson Dorothea Lange Joel Robinson Ansel Adams Artists: Oliver Jeffers Alan Lee Beatrix Potter E. H. Shepard Judith Kerr Authors: Jane Austen J. R. R. Tolkien Michael Morpurgo Noel Streatfield Suzanne Collins Agatha Christie Classical Music: The Lord of the Rings/The Hobbit Soundtrack (Howard Shore) The Kings Speech Soundtrack (Alexander Desplat) Raindrop Prelude (Frederik Chopin) Dance of the Cygnets (Tchaikovsky) Mars/Jupiter (Holst) Liebesträum