Skip to main content

The Dolly Zoom

The Dolly Zoom is a camera technique/effect that was developed by Irmin Roberts ( a Paramount second-unit cameraman) in the 20th century. 


The purpose of the Dolly Zoom is to undermine one's visual perception and create a sense of false reality in which the character within the frame becomes either a) frightened, b) has a sudden revelation/realisation, or c) reacts to a dramatic event.

As ones mind uses perspective and size to calculate the proper dimensions of ones surroundings, it is difficult for the mind to compensate when the perspective changes without the size. This therefore creates an unsettling, disorientating and confusing experience for the audience.

The effect is achieved by the camera moving towards or away from the subject, whilst the lens zooms in or out. The most common effect is where the background retreats and the foreground or focus point is drawn towards the centre, causing a dramatic accompaniment to a particular moment.

Perhaps the most famous dolly-zoom is in Steven Spielbergs Jaws. It is the moment where Police Chief Brody witnesses as shark attack on a beach. The Dolly Zoom is used to create a moments horror as he realizes the potential threat and danger.


Dolly Zoom: JAWS
Another example is in Peter Jacksons 'The Lord of the Rings: The Fellowship of the Ring'. After tumbling down a bank, the four hobbits are collecting their belongings when Frodo Baggins notices that they have stumbled onto the road and they are now all in terrible danger. Unlike the dolly zoom in Jaws, this frame is focused on what the character is looking at rather than the character itself.

Dolly Zoom: The Lord of The Rings

The first appearance of the Dolly Zoom however was in Alfred Hitchcocks Vertigo. Follow this link to read more: http://film-forensics.blogspot.co.uk/2014/01/vertigo-film-review.html

Unfortunately today the Dolly Zoom is seen as a cliche technique, over-used by junior directors and students because of the effects popularity. Hundreds of movies have incorporated this effect, and unless it is appropriate and will have a significant impact on  the viewer it may perhaps be wise to avoid it.

However, that being said, there are many great moments in film where the Dolly Zoom has created an iconic moments that have made history in the movie world; the above are to name just a few.

For more Dolly Zooms see here: http://vimeo.com/84548119 

Comments

Popular posts from this blog

TRAILER REVIEW: STAR WARS THE LAST JEDI

Finally, after what feels like decades of waiting, it is finally here... After the epicness of The Force Awakens , and then the Episode 4 prequel Rogue One, who knew that it was possible to get even more excited about Star Wars? Following on from Episode 7, The Last Jedi promises more adventure, more action, and could possibly (just like The Empire Strikes Back ) be overshadowed by the dark side of the force - hence the red typeface perhaps? There were so many unanswered questions left after the last film: Who are Rey's parents? Who is Snoke? Has Luke already turned to the dark side? Will Finn survive? What is Snoke planning next? Will Kylo Ren eventually turn to the light, and be reunited with his mother? Will Leia be reunited with Luke? Who knows? But the teaser trailer does offer enough sneak peeks to let the entire Star Wars fandom start speculating and anticipating the movie's plot.  Besides, we've all watched it a million times now, right? WARNING: TEAS

STORYBOARDING: The Chess Player

A few months ago I was presented with the opportunity to create the storyboards for a student project at the University I had graduated from. Having always storyboarded my own projects, and used to drawing what I could see inside my own mind, I jumped at the chance to help visualise someone else's film. Everybody sees things differently. We imagine, we visualise in different ways. Maybe because our brains are wired differently, maybe because we all rely on different experiences or the things we've read. A wide shot to one person might be a close to another; or someone might prefer a high-angled birds eye view, whilst another a fish-eye lens effect. There are endless ways to visualise a story and we are all unique when it comes to this. So being tasked with aiding in the visualisation of someone else's film is by no means an easy feat. One must be able to see inside the director's mind, understand their vision and translate that into something that will reach and

Influences

All filmmakers are influenced by other people's ideas and creations. If one was to watch what everyone else was watching, then, in theory, one can only think what everyone else is thinking. This is why individual ideas and viewpoints are so important. A world where everyone has the same opinion would be a boring world indeed. My current influences are as follows: Film Directors: Peter Jackson J. J. Abrams Ridley Scott Georges Melies Tim Burton Photographers: Henri Cartier-Bresson Dorothea Lange Joel Robinson Ansel Adams Artists: Oliver Jeffers Alan Lee Beatrix Potter E. H. Shepard Judith Kerr Authors: Jane Austen J. R. R. Tolkien Michael Morpurgo Noel Streatfield Suzanne Collins Agatha Christie Classical Music: The Lord of the Rings/The Hobbit Soundtrack (Howard Shore) The Kings Speech Soundtrack (Alexander Desplat) Raindrop Prelude (Frederik Chopin) Dance of the Cygnets (Tchaikovsky) Mars/Jupiter (Holst) Liebesträum