Skip to main content

Film Review - Festen

'Festen', translated into English as The Celebration, is a Danish Film produced by Nimbus Film. Directed by Thomas Vinterberg, it was the first film to be made under Dogme 95, and was inspired by a hoax broadcast on a Danish Radio Station.
The film tells the story of a family gathering to celebrate their father's 60th birthday. At the dinner, the eldest son publicly accuses his father of sexually abusing both himself and his twin sister (who has recently committed suicide).
Festen contains many different themes within the story line including racism, abuse, love, and the relationships within a family. The combination of comedy and tragedy is portrayed with a sense of ambiguity resulting in the audience being left unsure of the intended tone throughout.


As the film was made under Dogme 95 it meant that there were specific production and narrative limitations in several areas of the films production. Dogme 95 protests against expensive Hollywood-style film-making, therefore banning post-production techniques such as sound editing. Dogme 95 also required the entire film to be shot on a hand-held camera. Festen was shot on a Sony DCR-PC7E Handycam on standard Mini-DV cassettes. The outcome of the cinematography was deliberately 'amateur', sometimes 'clumsy' in appearance and the desired 'family home movie' feel was achieved. 


The script is in itself a work of art; full of mystery and uncertainty, therefore drawing the audience into and emotional experience full of tension and apprehension throughout the film. The story attempts to dissuade and confuse everything the viewer thinks about the characters and how the plot will unfold, resulting in a lavishly unpredictable plot.
"Every family has a secret"
I personally enjoyed the film, although the language and some scenes were very strong at times and possibly inappropriate. However I liked the fact that the film was unpredictable, therefore compelling and riveting entertainment for the viewer.

See trailer here: Festen 1998

Comments

Popular posts from this blog

TRAILER REVIEW: STAR WARS THE LAST JEDI

Finally, after what feels like decades of waiting, it is finally here... After the epicness of The Force Awakens , and then the Episode 4 prequel Rogue One, who knew that it was possible to get even more excited about Star Wars? Following on from Episode 7, The Last Jedi promises more adventure, more action, and could possibly (just like The Empire Strikes Back ) be overshadowed by the dark side of the force - hence the red typeface perhaps? There were so many unanswered questions left after the last film: Who are Rey's parents? Who is Snoke? Has Luke already turned to the dark side? Will Finn survive? What is Snoke planning next? Will Kylo Ren eventually turn to the light, and be reunited with his mother? Will Leia be reunited with Luke? Who knows? But the teaser trailer does offer enough sneak peeks to let the entire Star Wars fandom start speculating and anticipating the movie's plot.  Besides, we've all watched it a million times now, right? WARNING: TEAS

STORYBOARDING: The Chess Player

A few months ago I was presented with the opportunity to create the storyboards for a student project at the University I had graduated from. Having always storyboarded my own projects, and used to drawing what I could see inside my own mind, I jumped at the chance to help visualise someone else's film. Everybody sees things differently. We imagine, we visualise in different ways. Maybe because our brains are wired differently, maybe because we all rely on different experiences or the things we've read. A wide shot to one person might be a close to another; or someone might prefer a high-angled birds eye view, whilst another a fish-eye lens effect. There are endless ways to visualise a story and we are all unique when it comes to this. So being tasked with aiding in the visualisation of someone else's film is by no means an easy feat. One must be able to see inside the director's mind, understand their vision and translate that into something that will reach and

Influences

All filmmakers are influenced by other people's ideas and creations. If one was to watch what everyone else was watching, then, in theory, one can only think what everyone else is thinking. This is why individual ideas and viewpoints are so important. A world where everyone has the same opinion would be a boring world indeed. My current influences are as follows: Film Directors: Peter Jackson J. J. Abrams Ridley Scott Georges Melies Tim Burton Photographers: Henri Cartier-Bresson Dorothea Lange Joel Robinson Ansel Adams Artists: Oliver Jeffers Alan Lee Beatrix Potter E. H. Shepard Judith Kerr Authors: Jane Austen J. R. R. Tolkien Michael Morpurgo Noel Streatfield Suzanne Collins Agatha Christie Classical Music: The Lord of the Rings/The Hobbit Soundtrack (Howard Shore) The Kings Speech Soundtrack (Alexander Desplat) Raindrop Prelude (Frederik Chopin) Dance of the Cygnets (Tchaikovsky) Mars/Jupiter (Holst) Liebesträum